Debut Novel: SEEING DOUBLE

In another life, circa 2008-2015, I moved to the Far East and set up home. Over the seven years that I lived in a place that was sometimes beautiful and sometimes downright beastly, I learned Chinese (and on the way, how to swear fluently in Russian), got used to eating (or watching other people eat) some truly terrifying things, accepted gas masks as a part of daily life, grew immune to the sight and sound of people spitting all the live long day, and learned more about myself than any other stage of life so far has shown me. Oh, and I wrote. A lot. Like, really a lot. Some of what I produced back then will never see the light of day, but the rest of it got me to pretty much where I am today. Cramped quarters and smoggy skies make the perfect setting for any artist who wants to stop looking out the window and try losing themselves in something else.

In my final year (I didn’t exactly know I was going to leave, but the idea was pulsing through the air) I was, as we say in South Africa, gatvol with pretty much everything around me. Which means I started writing even more. The main focus of all that I-don’t-want-to-be-here-no-more energy resulted in a crazed little MS I titled ‘Seeing Double’.

Fast forward a few months, and the folks at Grey Matter Press (who have published a few of my short stories in the past) contacted me to ask if I had a novel-length work lying around, and if so, could they take a look at it. Fast forward two years, and here we are folks! It actually happened. SEEING DOUBLE will be out in the world in July this year.

SEEING DOUBLE is a story about three individuals living in the Far East, who find that together they inform each other’s dreams, feed each other’s fears… and enable each other to explore levels of brutality Hell itself may seek to emulate. A quick note that this is extreme horror, and not for those who like their fiction safe and cosy. But if you like your horror full-tilt full of sex, gore (and maybe with the odd dash of speculative fiction), this book may well match your flavour.

My humble thanks to Anthony Rivera and Sharon Lawson at Grey Matter Press for their support and encouragement, and for everything they’ve done to bring this book to light.

Watch this space (or my Twitter feed) for updates, or keep an eye on the Facebook page.

And… as all writers like to so eloquently say when their work is finally coming out… YAY!!!

 

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An Interview with BLEEDING CRITIC

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Bleeding Critic. That infamous psycho clown who keeps himself firmly anonymous as he reviews and critiques current and underground horror films. Yep. That one. By some miracle of black magic (and, okay, social media stalking), I got him to crawl out from the sewer (I assume he lives in a sewer. He’s got to be at least partway related to good old Pennywise, right?) and allow me to interview him. A rare wonder, since he pretty much never does interviews. Let’s peg that to the black magic part.

I didn’t get him to take the mask off, but here he is in all his terrifying wonder, talking with the balance of brutal honesty and no-bullshit sensibility that makes him the unique and riveting reviewer and horror authority that he is.

Happy Christmas. Enjoy. And….

“Don’t panic if your screen starts to bleed….”

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Modelling for Horror

I like to describe myself as a Goth in Recovery. It’s an easy tag, as it expresses the essentials: I used to dress exclusively in black, if a band didn’t include heavy electric guitar abuse (Tori Amos excluded, of course) I wasn’t interested, and I couldn’t recognise my own face if my lids weren’t thick with eyeliner deep enough to engrave initials in it. Ah, those were the days. Mosh pits. Jack Daniels and juice concentrate shooters. Low-slung jeans and delicate chains. Deep plum lipstick that stained everything my mouth was even vaguely aimed at, and spiky dog collars that made hugging friends a downright volatile gesture of affection.

Back in those days, I hung out a lot with budding photographer extraordinaire Michael Tarica. We both thought Trent Reznor was God, we truly believed in the power of the karmic nether, and neither of us ever knew when to quit. We once helped each other dye our hair blue, revelling in bad haircuts. He kept me high on whiskey and caffeine while I prepared my final college course presentation (last minute, of course). That’s closeness. But that was also when we were in our early twenties. We are now both in our thirties, and while I no longer shove him heartlessly into the stampeding chaos of mosh pits, or cajole him into running down the street naked, or try talk him into piercing his penis (oh, so many stories!), we remain close friends. And he is now, actually for really real, a highly respected professional photographer who’s work in South African film and photography incites my more superficial pride in being able to call him a friend.

A friend who… for revenge purposes maybe I suspect… recently asked me and another Goth-in-recovery gal pal to pose for his camera, for a Dark/Baroque photo shoot. And when you’ve put some poor dude through all that trauma (I have yet to share the full version of the silver mushroom story, and doubt I ever will!), how can you say no?

Stripped for Michael Tarica, photographer and fellow horror fan, in the interests of Goth-Girl Exploitation. I sacrifice myself as thus. Thanks, Mike. Love you always.

And thanks also to my little micro model, Lycan, who has no Twitter profile or web page as yet. Ha ha. My baby boy, extra almonds for you for being so good. Kiss kiss.

You can follow Michael Tarica @MikeTarica

Or check out his work as a whole at www.miketarica.co.za

And if you want to know about Lycan, or his brother Igor, just ask me.

 
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Interviews, Mentions, More

Update time, since I have no one major thing to say and it’s been far too long since I last spoke up here.

ELLEN DATLOW’S BEST OF HORROR VOL. 8: HONOURABLE MENTION

I didn’t make it into the final selection, but I made horror editorial legend Ellen Datlow’s honourable mentions list! Right over here. A few people told me I should be excited about this? More than anything though, I’m just excited she actually read something of mine. And, it seems, sort of liked it.

The mention is for my short story ‘Going Home’, published in the Savage Beasts anthology by Grey Matter Press.

INTERVIEWS: GINGER NUTS OF HORROR, STRUCTO, CRIMECULTURE

With my debut short story collection SEVEN SINS out in the world with Concord ePress, a few fantastic folks interviewed me to talk about the themes, content, and all that other stuff that goes with writing and publishing. My thanks to Adrian Shotbolt of Beavis the Bookhead and Ginger Nuts of Horror, Nat Newman and the folks at STRUCTO, and the brilliant Kate Horsley for chatting with me!

Interviews linked here for anyone interested:

BEHIND THE WRITING

I don’t often blog much on the personal end, but this mention ties over somewhat. A few months ago, I got another tattoo… a black dahlia, in honour of women and victims of crime, the bloody tragedies that are either completely overlooked or sensationalised beyond all sense of clarity. I didn’t expect it to get me thinking quite the way it has, but I’m currently working on a new manuscript (it leapt at my throat while the ink was still fresh, and has since completely lock-jawed) and this tattoo has quite a bit to do with it. If I finish this draft properly and if this new story ever sees the light of day, we’ll all find out why! So far so good. And it looks like I’m not going anywhere until I get it there.

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A dark flower in fresh ink

More when there’s more. In the meantime, if you’ve read my book, I’d love to hear your thoughts! Contact me via Twitter @RungeKaren, or through this blog, or drop me an email at blue.gilded.cage@gmail.com.

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OUT NOW: Seven Sins

Seven Sins Out NowMy debut short story collection, SEVEN SINS, is now out in the world. Paperback and ebook copies are available from the publisher, Concord ePress, right on over here.

I originally got the idea to put together a collection in 2013. It’s been a long journey since then, with many tweaks to the original concept made along the way. The common thread in these stories is that they are all about good / well-intentioned people doing bad things. What makes this happen? When and how do good intentions go wrong? How much outer influence is required, and how much comes directly from within? I could’ve written a lot more stories exploring this idea (in fact, I did… you should see the size of my personal slush pile…), but once the dust had cleared, these seven are the ones I ended up feeling most sure about.

That’s the premise. Now for the bragging points. My polished MS dutifully did its rounds, subjected to the scrutiny of a few big-name authors who graciously agreed to give it a look ahead of the publishing date. And here are some of those big-name authors, and what they had to say about this collection.

(And YES, I was beyond nervous that they would be reading my work with the option to blurb it. And NO, I still can’t quite believe how  wonderful this feedback was.)

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“This is a book that I want to read all over again, just to see how Karen Runge does it— how she uses her prose like a razor, her insight like a probe. How she cuts so deep, but without any anesthetic at all. How you can’t help but lean over, look inside with her. The story collection of the year, for me.”

Stephen Graham Jones, author of Mongrels

“The desire and despair of her characters is intelligently and compassionately rendered, and you’re made to feel every drop of spilled blood. A stunning debut collection.”

Paul Tremblay, author of A Head Full of Ghosts and Disappearance at Devil’s Rock

“In this finely crafted debut collection, moments of horror peel away in layers to reveal the tender small bones of human frailty. Karen Runge writes with an unsettling confidence that makes Seven Sins as compulsive as it is terrifying, creating stories so dark they give nightmares, writing so sharp it leaves scars.”

Kate Horsley, author of The Monster’s Wife and The American Girl

“Beautiful, insidious, gut-wrenching. Like biting into windfallen fruit – so full of sunshine and sugar, but with each new sample the true taste of its own rot emerges.”

Nikki Guerlain

And my personal favourite, from the genius Stona Fitch. My publisher, my editor, my mentor. Author of the astonishing SENSELESS, a dark lit novel that has influenced me, taught me, changed me.

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I’ll stop here while I can still breathe.

 

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Coming Soon: Suspended in Dusk 2

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Any good thing has to happen at least twice. I know it, and so does Simon Dewar, AKA Horror Editor Who Makes Things Happen. Doesn’t he just. In 2014, he single-handedly put together the much-acclaimed Suspended in Dusk anthology, which snatched up blurbs from the likes of Jonathan Maberry and Kaaron Warren. It also earned itself an introduction by horror legend Jack Ketchum. Not bad for a first-time editor, to put it very, very mildly.

And so, here we go… sequel time! The final Table of Contents for Suspended in Dusk 2 has at last been confirmed and made public. Take a look at these names. And yes, it’s that good, you’re probably going to have to read this twice. At least.

Here’s the lineup:

  1. Introduction by Angela Slatter
  2. Deadman’s Road by Joe R. Lansdale
  3. The Mournful Cry of Owls by Christopher Golden
  4. The Immortal Dead by JC Michael
  5. That Damned Cat by Nerine Dorman
  6. Another World by Ramsey Campbell
  7. Angeline by Karen Runge
  8. Mother of Shadows by Benjamin Knox
  9. Love is a Cavity I Can’t Stop Touching by Stephen Graham Jones
  10. Crying Demon by Alan Baxter
  11. The Sundowners by Damien Angelica Walters
  12. Still Life with Natalie by Sarah Read
  13. Riptide by Dan Rabarts
  14. Dealing in Shadows by Annie Neugebauer
  15. There’s no light between floors by Paul Tremblay

To read more about the anthology and keep up to date with developments, take a look at Simon’s official announcement on his blog.

My short story ‘Hope is Here’ appeared in the original Suspended in Dusk. This time round my offering is ‘Angeline’, a story about a sweet young woman who only wants to please. I’ll let you imagine what that means, and where exactly that might lead her.

Mwahaha.

 

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Cover Reveal: SEVEN SINS (Short Story Collection)

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And here it is. My debut short story collection, SEVEN SINS, is well on its way through the final edits and should be available from Concord ePress around June this year.

Edited by Stona Fitch and with blurbs from Paul Tremblay and Kate Horsley (I’m overawed at the weight of these names), SEVEN SINS aims to explore the softer  intentions that nevertheless have the power to drive darker actions.

With SEVEN SINS, I wanted to tackle the darker aspects of love and nurturing without shying away from what might happen there. In short, the sins featured here (not, by the way, the seven deadly sins we all know) are all in some way spawned by love — which is what I suspect most sins are born out of, one way or another. I’m not necessarily referring to romantic love either (how boring would that be?) but rather that between family, between friends, between strangers, between selves. I tried to talk about evil with as much compassion as I could, steering clear of sensationalism, staying true to the nature of the acts. And of course, I wanted it extreme. That was my target, and I hope I’ve hit somewhere close to the mark.

Cover and interior illustrations were done by the Boston musician and artist, Stephen Fredette, who’s work here is remarkably on-point and honestly left me stammering.

My humble thanks to Stona and Ann Fitch and their team at Concord ePress, and to Paul Tremblay and Kate Horsley for taking the time to read and so generously blurb this book.

For now, to read the full blurbs and take a look at the official book page on the Concord ePress site, head over here.

More as we get closer….

 

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